![]() ![]() When you write chromatic collections, don’t forget that two pairs of white keys on the keyboard are half steps: B/C and E/F. My Best Recommendation: Click here for the BEST piano/keyboard course I’ve seen on the Internet. This scale consists of 12 notes, each a half step (semitone) apart. This is because you simply go from one key to the other without skipping any. A chromatic collection that begins with a flat note (such as the second line in Example 10) is usually written with naturals while ascending and with flats while descending. The chromatic scale is arguably one of the easiest scales to understand, particularly on piano. In laymans terms, this means all the notes. Two chromatic collections starting on A and E♭.Īs you can see in Example 10, chromatic collections are often (but not always) written with sharps while ascending and with flats while descending the first line of this example demonstrates this. Officially, the chromatic scale is a twelve-tone scale starting on a root note and moving by half-steps only. Example 10 shows two chromatic collections, the first starting on A and the second starting on E♭:Įxample 10. Because it lacks a pattern of half and whole steps, music theorists generally refer to it as a chromatic collection, which is why “scale” is in scare quotes here. Chromatic “Scales”Ī chromatic "scale" consists of twelve adjacent half steps. Listen to Example 9 carefully, observing the difference between the modes. The modes from brightest to darkest, starting on C, with scale degrees. When writing modal collections, be sure to think about your accidentals carefully.Įxample 9 shows all of the different modes with scale degrees and solfège, ordered from brightest to darkest (lydian to locrian):Įxample 9. For example, one could build a mixolydian collection starting on D♭, an aeolian collection starting on G♭, or a lydian collection starting on F♯. Example 8 shows C locrian with solfège:Įach mode can start on any note. The three bright modes, which contain m i (\hat, whose solfège is se.Modes can be described within a continuum of modal brightness: brighter modes sound more like a major scale, while darker modes sound more like a minor scale.The diatonic modes are scale-like collections of notes with patterns of half and whole steps.
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